Jodorowsky’s Dune

Jodorowsky’s Dune

Oh for the cinematic vision of “Dune” that could have been. From Salon and Andrew O’Hehir at the Cannes Festival:

“According to “Drive” director Nicolas Winding Refn (who’s also here this year with the ultra-violent “Only God Forgives”), the legendary unmade mid-‘70s film version of Frank Herbert’s “Dune” by Chilean-born mad genius Alejandro Jodorowsky actually exists – and he’s seen it. OK, even Refn hasn’t seen a version of it that can be projected on a screen or played on a high-def monitor, the version that was supposed to star David Carradine, Orson Welles, Mick Jagger and Salvador Dalì. That doesn’t exist. But Refn says he spent a long evening in Jodorowsky’s Paris apartment while the latter went through the storyboards for “Dune” with him page by page, talking through every shot and every line of dialogue. “I am the only spectator who has ever seen this movie,” Refn concludes. “And I have to tell you: It was awesome.”

I don’t hope to see a movie at this festival, or all year long, that’s as inspiring as Frank Pavich’s documentary “Jodorowsky’s Dune,” the story of an enormously influential film that was never made. That may sound strange on a number of levels: How does one of the most famous collapsed productions in cinema history, a failure so dire that it derailed its director’s career for many years, become a source of inspiration? Especially when the resulting documentary largely consists of a man in his 80s sitting around and talking? Well, when the old guy talking is as brilliant, passionate, ferocious and hilarious as Jodorowsky, and when the stories he tells convince you that his quixotic dream of making an enormous science-fiction spectacle that combined star power, cutting-edge technology, philosophical depth and spiritual prophecy nearly came true, it’s as if you glimpse his vision of a transformed world where everything is possible.”

For more on the fabled “Jodorowsky’s Dune” see here and here.

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Judge Minty – Taking The Law To The Lawless

2000AD's Judge Dredd

2000AD’s Judge Dredd

After touring the convention circuit the Judge Dredd-inspired fan film “Judge Minty“, written and directed by Steven Sterlacchini, has finally been released online. While the acting may be less than inspiring the special effects on the other hand show just how far technology has moved on since the days of filming spray-painted plastic bottles on wires against a blue background.

Robert E. Howard – The Whole Wide World

Robert E. Howard, Irish-American heroic fiction author and essayist

Robert E. Howard, Irish-American heroic fiction author and essayist

While going through the old bookmarks on my browser the other day I came across the Cimmerian, a wonderful if now defunct group-blog that was dedicated to Fantasy, Horror and Adventure fiction, with a focus on the works of the Irish-American writer Robert E. Howard in particular. Some of the most intelligent and thoughtful pieces on Fantasy literature that I have ever read graced the webpages of the Cimmerian, many notable for their length and analytical nature (the curse of the internet is the culture of brevity – very few people write long articles now and even fewer read them. Perhaps the rise of the tablet and phabelt will change that?).

As for the great man himself, Robert E. Howard is an author of some special meaning to me. Enough to know that it was the 107th anniversary of his birth three days ago. Most of his works have dated with the passing of the years –  strange snapshots of another time, another place. Ironically so given their frequent historical setting (real or imagined). Yet the raw talent, creativity and productivity that left many others floundering in his wake continues to inspire new generations of artists, be they writers, illustrators or movie-makers. Howard was an author who truly had the potential for greatness, who was growing into his abilities with every new tale, until he brought it all to an end one terrible summer’s day in June 1936 at the tragically early age of 30.

Perhaps it is the tortured artist that I identify with? Or the fatal allure of self-death. While I celebrate life I do have my darker moments and a certain susceptibility to the siren call  of the Cthulhu. Would it surprise you that back in the day some regarded me as a goth? I suppose I was in a way though I despised the term and those who wallowed in it as a lifestyle choice. I remember the young son of a friend describing me with the innocence of a child as “very black”. It amused us mightily at the time since we took it as a reference to my preferred colour of clothing. And car. And decoration. Perhaps it should have been An Sionnach Dubh? But I think he was also referring to my dark nature. More of the Diarmaid than the Fionn. Who else would love a black Christmas Tree? That’s not normal is it? But then being not normal is what I admire. I glory in unconventionality and those who cock-a-snoop at society and its restrictions. Conform? The hell I will.

Of course, I’ve changed a lot since those halcyon days. I’m not sure how anyone regards me now. I suspect with little favour. Too much pain. Too many things seen and done. Life is cruel and it will seek you out no matter how hard you try to hide. In my youth I was Séadanta. Now I have become Conchúr.

All of which rambling brings me to this movie I stumbled across on YouTube, “The Whole Wide World”, focusing on the relationship between Robert E. Howard (played by Vincent D’Onofrio) and his friend and lover Novalyne Price Ellis (a young Renée Zellweger). Enjoy.

 

Christopher Tolkien On The Legacy Of His Father, J.R.R. Tolkien

J.R.R. Tolkien

Christopher Tolkien, the son of J.R.R., is the person who has undoubtedly done the most to explain the background and history of his father’s writing to the general public, and in particular to his many fans and admirers. Le Monde recently carried a lengthy interview with Tolkien from his south of France home, noteworthy not least for how rarely he grants access to his self-imposed rural retreat. In the article he discusses the complex relationship of J.R.R. Tolkien’s trilogy of books, “The Lord of the Rings”, to the Peter Jackson produced movies of the same name. As some may be aware all is not well in this particular area, and a real note of sadness, despair even, seems to be the prevailing feeling. One is left wondering at times how much Christopher Tolkien is the inheritor and protector of his father’s legacy and how much he has become it’s prisoner.

Now Sedulia Scott has generously translated the article from the original French into English, including Tolkien’s disquiet views on the forthcoming movie, The Hobbit. It can be read here and for most Tolkien fans it will make for poignant reading.

“”I could write a book on the idiotic requests I have received,” sighs Christopher Tolkien. He is trying to protect the literary work from the three-ring circus that has developed around it. In general, the Tolkien Estate refuses almost all requests. “Normally,” explains Adam Tolkien, “the executors of the estate want to promote a work as much as they can. But we are just the opposite. We want to put the spotlight on what is not Lord of the Rings.”

This policy, however, has not protected the family from the reality that the work now belongs to a gigantic audience, culturally far removed from the writer who conceived it. Invited to meet Peter Jackson, the Tolkien family preferred not to. Why? “They eviscerated the book by making it an action movie for young people 15 to 25,” Christopher says regretfully. “And it seems that The Hobbit will be the same kind of film.”

The divorce is systematically reactivated by the movies. “Tolkien has become a monster, devoured by his own popularity and absorbed by the absurdity of our time,” Christopher Tolkien observes sadly. “The chasm between the beauty and seriousness of the work, and what it has become, has gone too far for me. Such commercialisation has reduced the esthetic and philosophical impact of this creation to nothing. There is only one solution for me: turning my head away.”

It is hard to say who has won this silent battle between the respect for the word and popularity. Nor who, finally, has the Ring. One thing is certain. From father to son, a great part of the work of J.R.R. Tolkien has now come out of its boxes, thanks to the infinite perseverance of his son.”"

The Young Ancestors

Excellent article over on Indian Country Today on a new documentary, The Young Ancestors, which examines the efforts of Native American students in New Mexico to learn their indigenous Tewa language.

“When producer/director Aimée Broustra heard about it she decided to make a documentary.

“The teenagers in The Young Ancestors are motivated and enthusiastic about learning because they understand the symbiotic relationship between language and culture; that one cannot survive for too long without the other,” Broustra says on the documentary’s website, TheYoungAncestors.com. “In a broader context the documentary explores the burgeoning movement by Native Americans to revitalize their native languages in tribes throughout America.”

Of Irish descent, Broustra says she is familiar with oppression.

“I was raised Irish Catholic, in Philadelphia, Pennsylvania. Growing up, I had two different experiences of what it meant to be Irish Catholic. My mother spoke at length of the history of the Irish people and their oppression under the English: the seizure of land owned by Irish Catholics, the loss of the Celtic language and tradition,” she told Indian Country Today Media Network.

Though there are differences in the backgrounds between the Irish and Natives, her history helped her grasp nuances in the film without having to ask for explanations.

In addition to embracing tradition, Broustra offers eye-opening statistics in the film. While there are tribes engaged in revitalizing their languages, many tribal languages are close to endangered and will not survive if the young people don’t start speaking them.”

 

The Murder Machine – The British War In Ireland

Several weeks ago I examined the acquittal in a British-run court in the North of Ireland of the long-time Irish Republican activist Colin Duffy. Following years of imprisonment while awaiting trial (colloquially known as “internment on remand”) he was found not guilty of the killings of two British soldiers shot dead during an attack on the Masserene Military Base outside Belfast by the Real Irish Republican Army (RIRA). For Duffy and his supporters it was a validation of his claims to innocence and further evidence of a campaign of persecution conducted against him by the British state since the late1980s.

In the light of those developments I examined some of Colin Duffy’s history, in particular the attempted murder of Duffy and two other Republicans some twenty years previously. In March 1990, shortly after attending an appointment at a British paramilitary police base of the then Royal Ulster Constabulary (later reformed as the Police Service of Northern Ireland), Duffy and his companions, Tony McCaughey and Sam Marshall, were attacked by a group of British terrorists. Leaping from a car two British gunmen opened fire with a hail of bullets from automatic assault rifles wounding Sam Marshall who fell to the ground, while Duffy and McCaughey narrowly managed to escape. The badly injured 31 year old father was then shot to death as he lay defenceless on the street.

Returning to their vehicle the terrorists sped off, apparently “escorted” by a second car identified by several witnesses as a red Maestro. In 1999 a news documentary for the BBC revealed that the second vehicle was in fact a registered undercover car manned by members of British Military Intelligence and that a number of soldiers were present both on foot and in other vehicles observing the attack. These revelations further fueled already existing allegations that the assassination attempt was the result of co-operation between elements of the British Forces in Ireland and their British terrorist counterparts. The Irish Examiner now brings us the latest revelations in this ongoing scandal:

“…undercover British soldiers were at the scene of a high-profile killing carried out by loyalist paramilitaries in the North, a dramatic new report has revealed.

The revelations centre on a controversial attack where three republicans were ambushed minutes after they left a police station in Lurgan, Co Armagh, in 1990.

Former republican prisoner Sam Marshall was killed in a hail of automatic gunfire, but the presence nearby of a red Maestro car, later found to be a military intelligence vehicle, sparked claims of a security force role in the killing.

The presence of the Maestro, and questions over how the loyalists knew when the republican trio would be leaving the police station, sparked major controversy in the 1990s and led the RUC (Royal Ulster Constabulary) and government to deny anything suspicious had taken place.

A review of the unsolved case by the police Historical Enquiries Team (HET) has now found:

  • At least eight undercover soldiers were deployed near the killing, with their commander monitoring from a remote location;
  • The armed military intelligence personnel at the scene were in six cars, including the noted red Maestro;
  • Two plain-clothed soldiers with camera equipment were in an observation post at the entrance of the police station as the three republicans arrived and left;
  • Two undercover soldiers followed the republicans on foot, and were within 50-100 yards of the attack, but said they did not to see the killing in which the gunmen fired 49 shots;
  • After the two masked loyalists jumped from a Rover car and started shooting, the troops did not return fire, claiming it was out of their line of sight and too far away, but alerted colleagues who launched an unsuccessful search for the killers. Despite being in a republican area, the soldiers make no reference to feeling at risk from the gunmen.
  • The killers’ guns are believed to have been used in four other murders and an attempted murder. Weapons of the same type have been linked by police to seven further killings and four attempted murders carried out in 1988/89;
  • The RUC found gloves near the gang’s burned-out getaway car, but the gloves were subsequently lost;
  • The RUC sought to deny the existence of a surveillance operation by giving “misleading or incomplete” statements. But RUC Special Branch had briefed the undercover troops;
  • Investigators could not rule in, or rule out, that the RUC leaked information to the loyalists.”

In a further twist to the story it has now been revealed in the Irish Times that the rifles used in the attack were part of a consignment of weapons from Apartheid-era South Africa smuggled into Ireland by British Intelligence agents to arm the British terror groups operating here.

“The guns used to kill Sam Marshall were from a haul smuggled into Northern Ireland by a top security force agent, the murdered man’s family has claimed.

Brian Nelson was a leading member of the loyalist Ulster Defence Association (UDA) and a prized asset of military intelligence.

He has been linked to a string of controversial killings, including the murder of Belfast solicitor Pat Finucane in 1989.

…the family obtained a copy of the original RUC (Royal Ulster Constabulary) report on the killing, after the document was handed to a US court as part of an extradition case in 1993.

* It confirmed the guns were VZ58 automatic rifles, similar in appearance to the infamous AK47 weapon.

* Victims groups have said the rifle model was among a consignment smuggled into Northern Ireland for use by loyalist paramilitaries in the late 1980s with the help of Brian Nelson.

* The rifles formed part of a major arms shipment from South Africa and the entire stockpile has been linked to 95 of the estimated 225 loyalist murders carried out in the six years following the arrival of the cache.

The family further claimed that by comparing information with other victims of loyalist violence, they have directly linked the guns that killed Sam Marshall to four other murders and an attempted murder.

The Marshall family has also questioned whether the description of a man seen acting suspiciously near Lurgan police station on a previous bail signing by the three republicans matched that of Robin Jackson.

The leading UVF member, known as “The Jackal”, featured in a recent HET report on the murder of members of the Miami Showband pop group in 1975, which pointed to collusion by security forces.

Rosemary Nelson, a Lurgan solicitor who took up the Marshall family’s case, was killed by loyalists in 1999 amid allegations of state collusion.”

Britain’s war in Ireland. Pitiless, remorseless, unending.

We Are 42%

Another image borrowed from the Occupy movement with another Irish spin. More of the original images are available from libcom.org and occupypocatello.org. The 42% of course refers to the percentage of Irish people who described themselves as speaking fluent or partial Irish in the 2006 Census of Ireland. We are still awaiting the results from the most recent 2011 census.

The Book Smugglers. Ireland, Lithuania, And The Freedom Of Language

One of the most interesting, and thought-provoking, Irish language documentaries of recent years will be screened at a film festival in Estonia, reports IFTN:

“Irish production companies Planet Korda Pictures and Vinegar Hill’s co-production with Lithuanian production company Era Films, ‘The Book Smugglers’, a documentary which was directed and written by Jeremiah Cullinane (Hitler’s Irish Movies, Dangerous Curves) co-founder of Planet Korda, will be screened at the 15th Estonian Black Nights Festival on the 26th November.

‘The Book Smugglers’ sees Irish poet Gearóid Mac Lochlainn and Lithuanian dramatist Albertas Vidžiūnas retrace the steps of the 19th century Lithuanian book smugglers who resisted Russification to save their language from extinction and asks why in Ireland, another small country at the edge of Europe with its own language and occupied by its larger neighbour, families were abandoning their mother tongue and teaching their children English?”

Originally shown on TG4, there is more information on this wonderful, challenging documentary at the Book Smugglers website.

Oireachtas na Samhna

The Irish Times carries a very personal report celebrating the weekend’s Oireachtas na Samhna, the annual Irish language and culture festival, this year held in Cill Airne:

“IT IS the time of Samhain and I am heading south to Killarney. Every year at this time I find myself on the road to somewhere. The reason – Oireachtas na Samhna. It has been going on now for well over a century but, in reality, it has been going on for thousands of years since its original incarnation at Tara. I am part of a tribe, and the tribe is on the move.

Oireachtas na Samhna, or the Oireachtas, as we call it, is the annual gathering of the Gaels. A festival which will be attended by 10,000 people from all Gaeltachts and beyond, and which will host some of the most prestigious competitions of our traditional arts. Sean nós singing and dancing, storytelling and oration, lúibíní and many others. Champions will be crowned this weekend, immortality bestowed. Hundreds will gather in hushed halls to hail new heroes and the families and communities that produce these champions will claim title to nobility.

Samhain is there since the beginning. It was the annual feast of Tara, where hundreds of thousands gathered to celebrate the last harvest. The word literally means summer’s end, the threshold of the dark. It is the time when we are closest to the otherworld, when the barriers between us and our ancestors soften. Our immediacy fades. We briefly become aware of the eternal.

I will meet people I haven’t met since last year’s Oireachtas. No matter. The distance of time or space is made redundant by the story we share. We’ll pick up where we left off. Like a family which meets for a wedding or an anniversary, familiarity will bathe us, and our handshakes, hugs and greetings will be as joyous as they are authentic. We’ll all be conscious of the significance of our gathering and put our best side out.

Language is more than communication. It is expression too. It provides us with another way to see the world, another way to make sense of it. And it is universal. Irish speakers of all backgrounds and ethnicities – from America, Japan, Russia, Africa, Australia, Canada and other countries are heading for Killarney right now. The Oireachtas is our festival. It’s what we do. It is our Haj, our Ploughing Championships, our novena, our Oxegen.”

More can be seen here. Including…

Irish Pigs In The Daily Mail

British journo Ian Birrell carries a lengthy rant against Martin McGuinness in the “Right Minds” section of the Daily Mail, a suitably right-wing British newspaper. It is replete with plenty of hackneyed phrases and stock stereotypes from the “Big British Book Of War In Ireland” (which is also popular reading amongst the Irish media establishment) but the most fun is to be derived from the Comments section underneath the article.

Amongst the choice descriptions of Martin McGuinness MP MLA, Deputy First Minister of the North of Ireland and candidate for the office of the President of Ireland, is one from the not-so-wordy “Rob”, with Britain’s ever-fashionable:

“Irish PIG.”

Or how about,

“This despicable piece of human waste has blood on his hands that can never be washed off. In the real world both he and his master would have been executed for their crimes years ago.”?

That’s from someome who signs himself ”Blue, White & Proud”. That’s Tory blue and er… Well, I’m sure you can work the rest out for yourself.

Ah, the Daily Express. Its just like the Irish Independent but without, y’know, the “Irish” bit. Actually, now that I think about it, so is the Irish Independent…

John Carter Of Mars Gets The Disney Treatment… Cry Now, Or Later?

John Carter of Mars holds a special place in the history of Science-Fiction. The hero of Edgar Rice Burroughs‘ series of Barsoom novels he is one of the archetypal figures of the genre, a character who has been reimagined numerous times and under numerous guises in the works of other authors. So it was with more than a little trepidation that I read the news last year of Disney Picture’s planned movie version of the first book, A Princess of Mars (1912). Looking at the pre-release teaser for John Carter it would seem that my worse fears may well be realised. Oh dear…

 

TG4 Launches Scéal, The Short Film Scheme

News from the IFTN that TG4 has launched a new short film scheme:

‘Scéal is a development scheme that offers talented new Irish-speaking writers/directors an opportunity to adapt a well-known story from Irish language literature or folklore towards a half hour short film. The scheme is following from the success of previous schemes ‘Síol’ and ‘Údar’.

The chosen story can be adapted from and Irish language short story, poem, folklore or any work that represents the Irish tradition of storytelling. ‘Scéal’ aims to bring the six chosen films from a basic script stage to eventual production and broadcast stage. The scheme is open to Irish language writers/directors form all over the country, whether they have experience or not.

The successful applicants will develop their scripts over a series of workshops with guidance from a professional script editor.’

More here.

 


Who Doesn’t Like Zombie Nazis? Or Killer Trolls?!

Norwegian cinema is unusual, sometimes very unusual, but fun. And none more so than its small, Indie scene. Here are two recent examples. Of course their Scandinavian cousins have also given us the brilliant TV thriller ‘The Killing‘ (Denmark) and the suitably dark and disturbing movie (given it’s source material) ‘The Girl with the Dragon Tattoo‘ (Sweden).

Enjoy!